Yes, to this day whenever Moses is read a veil lies over their hearts. But when one turns to the Lord, the veil is removed. Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom. And we all, with unveiled face, beholding the glory of the Lord, are being transformed into the same image from one degree of glory to another. For this comes from the Lord who is the Spirit. Scripture Images
God has made us exactly the way that it pleased Him and we all must remember that God has chosen the weak and the base of the world (1 Cor 1:27) and what the world considers despised and lowly (1 Cor 1:28) is important to God and that’s all that matters, isn’t it?  He looks at the inward parts of the human heart, not the outward appearance, so don’t worry about what the body looks like, be concerned with the things that God sees because in the end, that’s all that’s important and that’s all that really matters.  What others think is nothing…what God knows is everything. Biblical Verses Image
Long ago, at many times and in many ways, God spoke to our fathers by the prophets, but in these last days he has spoken to us by his Son, whom he appointed the heir of all things, through whom also he created the world. He is the radiance of the glory of God and the exact imprint of his nature, and he upholds the universe by the word of his power. After making purification for sins, he sat down at the right hand of the Majesty on high, having become as much superior to angels as the name he has inherited is more excellent than theirs. For to which of the angels did God ever say, “You are my Son, today I have begotten you”? Or again, “I will be to him a father, and he shall be to me a son”? ... Christian Wall Art
Paul, a servant of Christ Jesus, called to be an apostle, set apart for the gospel of God, which he promised beforehand through his prophets in the holy Scriptures, concerning his Son, who was descended from David according to the flesh and was declared to be the Son of God in power according to the Spirit of holiness by his resurrection from the dead, Jesus Christ our Lord, through whom we have received grace and apostleship to bring about the obedience of faith for the sake of his name among all the nations, ... Christian Wall Art
Gospel music is one of the oldest forms of music. With its origins being traced back as far as the 17th century, Gospel singers have preached the words of the good book for centuries and are making some of the best gospel and Christian songs of 2018. Gospel singers for a long time had to sing without musical accompaniment outside of clapping and stomping - black gospel music has a strong tradition of using the human hands and feet as instruments. More recently, these hymns and songs feature the same strong harmonies, but also organs to tambourines to electric guitars. Beginning in the 1920s and 1930s, gospel artists became some of the most popular singers in the world. The best gospel singers are wildly popular in the Christian community are closely associated with other Christian singers. Today, within the Christian community, gospel singers are as, if not more popular than Christian rock bands, which is saying a lot. Biblical Verses Image
So, who are the best gospel singers? Any list of gospel artists has to include male gospel singers like Kirk Franklin, Marvin Sapp, BeBe Winans, and Fred Hammond, as well as female Christian singers like CeCe Winans, Yalonda Adams and Shirley Caesar. These gospel singers are considered some of the best in the genre and it's with good reason that they're at or near the top of this poll. The best gospel artists are well represented on this list and with good reason. When you think of Christian singers and gospel artists, you should be able to use this list as a great point of reference. Christian Wall Art
Then to Adam He said, "Because you have listened to the voice of your wife, and have eaten from the tree about which I commanded you, saying, 'You shall not eat from it'; Cursed is the ground because of you; In toil you will eat of it All the days of your life. "Both thorns and thistles it shall grow for you; And you will eat the plants of the field; By the sweat of your face You will eat bread, Till you return to the ground, Because from it you were taken; For you are dust, And to dust you shall return." Christian Wall Art
How true this is.  You can put lipstick and earrings on a pig but inwardly they’re still a pig so Peter writes that “the hidden person of the heart” is precious to God and the “imperishable beauty of a gentle and quite spirit” to God is “very precious” and that’s all that matters eternally.  We’ll all get new bodies someday anyway and so why should we be so preoccupied with what we look like when God only cares about what we are like on the inside? Biblical Verses Image
Then to Adam He said, "Because you have listened to the voice of your wife, and have eaten from the tree about which I commanded you, saying, 'You shall not eat from it'; Cursed is the ground because of you; In toil you will eat of it All the days of your life. "Both thorns and thistles it shall grow for you; And you will eat the plants of the field; By the sweat of your face You will eat bread, Till you return to the ground, Because from it you were taken; For you are dust, And to dust you shall return." Christian Images
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks.
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And you were dead in the trespasses and sins in which you once walked, following the course of this world, following the prince of the power of the air, the spirit that is now at work in the sons of disobedience— among whom we all once lived in the passions of our flesh, carrying out the desires of the body and the mind, and were by nature children of wrath, like the rest of mankind. Christian Images
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Biblical Verses Image
So, who are the best gospel singers? Any list of gospel artists has to include male gospel singers like Kirk Franklin, Marvin Sapp, BeBe Winans, and Fred Hammond, as well as female Christian singers like CeCe Winans, Yalonda Adams and Shirley Caesar. These gospel singers are considered some of the best in the genre and it's with good reason that they're at or near the top of this poll. The best gospel artists are well represented on this list and with good reason. When you think of Christian singers and gospel artists, you should be able to use this list as a great point of reference. Christian Wall Art
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